The 35 Best Books of 2017
By Daniel Ford
2017 was a remarkable year for fiction and nonfiction. From fearless debut novelists to established literary veterans at the top of their games, authors provided the artistic tonic we needed to survive a turbulent time both politically and culturally.
Narrowing down a reading list of 116 titles to just 35 was torture. The final grouping you’re about to read (and judge) could have easily been expanded to include 50 to 60 books. Please feel free to debate my choices and add your own in the comments section or tweet us @WritersBone.
As always, keep reading everyone!
35. Smothered by M.C. Hall
Megan Cassidy Hall deserves a writing award for the faux-comments section alone. Her epistolary exploration of a sensational crime, and how society reacts to it, is both haunting and incredibly sad.
34. Found Audio by N.J. Campbell
I still have this trippy, mind-bending novel in my head. You’ll question your own reality after reading this, but you won’t question N.J. Campbell’s talent.
33. Marcel’s Letters by Carolyn Porter
In a year when we desperately needed as many genuine love stories as possible, Carolyn Porter delivered a great one. Her hunt for the truth behind a World War II survivor’s letters led to a splendid and deeply personal read (as well as a beautiful font!).
32. Apollo 8 by Jeffrey Kluger
Jeffrey Kluger’s return to the Apollo missions provided 2017 with the same burst of hope that Apollo 8 gave 1968 (one of the most turbulent years in American history). A thrilling narrative featuring the crew of Apollo 8 that reminds you of what Americans are capable of when reaching for the same stars.
31. Blurred Lines by Vanessa Grigoriadis
Vanessa Grigoriadis’ curious and wide-ranging reporting in Blurred Lines warmed my journalist soul even while making my skin crawl. Sexual assault on campus remains a complicated, serious issue, and, judging by Grigoriadis’ revelations, will continue to be one until colleges and universities make even more substantial changes to their policies and punishments.
30. An Unkindness of Magicians by Kat Howard
There’s not a bad sentence in this book. Kat Howard should be a household name. She makes you care deeply for all of her characters—even the evil ones—as she’s putting them all through (magical) hell.
29. The Weight of This World by David Joy
David Joy is the poet of broken characters. He gets better and better with every novel. The Weight of This World puts a hole through your heart with a shotgun and uses bourbon to salve the wound.
28. The Last Ballad by Wiley Cash
Ella May Wiggins lives in the past, but would be right at home fighting against our current political demagogues. She’s a reluctant rebel, one driven to protest in order to feed her starving family. A finely drawn supporting cast experiences the novel’s tragic events through myriad personalities, racial identities, and disparate classes. Urgent historical fiction of the highest order.
27. Days Without End by Sebastian Barry
Still amazed at the answers Sebastian Barry gave during our podcast interview earlier this year. He combined his love of the American Civil War stories and his son to deliver a truly remarkable western.
26. The Lost Prayers of Ricky Graves by James Han Mattson
A powerful read about the aftermath of a terrible tragedy perpetrated by a lost and confused teenager. No one comes off looking particularly well in this narrative, told in part through email chains and online chats, but it’s that broken humanness that makes The Lost Prayers of Ricky Graves so devastating and gripping. Top-notch writing.
25. Home Fire by Kamila Shamsie
The first chapter alone should win some kind of literary prize. It sets the tone of the novel and feels so immediate considering the political climate in the United States and around the globe. And that ending…so good!
24. The Story of My Teeth by Valeria Luiselli
The Story of My Teeth further cements Valeria Luiselli as one of the most important voices in fiction and nonfiction. Read this and everything else she’s written.
23. American War by Omar El Akkad
American War is a cautionary tale that seems more and more realistic with each passing day. It’s a visceral, brutal thriller that peels apart the many layers of American dysfunction and partisanship.
22. The Animators by Kayla Rae Whitaker
Mel Vaught and Sharon Kisses were two of my favorite main characters in 2017. Whitaker puts them through hell (some of it self-inflicted), but never leaves them completely hopeless. Author Julie Buntin called this novel “goddamned brilliant” in June’s “Books That Should Be On Your Radar,” and she’s 100% goddamn right.
21. What It Means When A Man Falls From the Sky by Lesley Nneka Arimah
Lesley Nneka Arimah’s short story collection is masterful. I had so much fun listening to Levar Burton read the title story on his podcast "Levar Burton Reads," and then hearing Arimah talk about the collection on a later episode.
20. Hum If You Don't Know the Words by Bianca Marais
Bianca Marais’ storytelling is so mesmerizing that you’ll constantly mutter, “Just one more chapter…” while reading the novel. Robin and Beauty don’t have it easy for much of the narrative, but they’re equal parts fragile and flinty throughout the narrative. Marais’ sparkling debut explores everything from race relations to familial bonds.
19. The Force by Don Winslow
How do you follow up The Cartel, one of the best novels written about the ongoing drug war in Mexico and the Southern United States? If you’re the master of crime fiction, you write The Force, a gripping thriller about a corrupt cop in New York City. A master class in dialogue and plot.
18. The Refugees by Viet Thanh Nguyen
Viet Thanh Nguyen won the Pulitzer Prize for The Sympathizer (#2 on last year’s list), and followed it up with an equally compelling, earthy, and poignant short story collection. He’s rightly become an essential voice on the literary scene.
17. Dark at the Crossing by Elliot Ackerman
It’s been such a joy following Elliot Ackerman’s career as a journalist and novelist. His debut Green on Blue was one of our favorite novels in 2015, and his stellar sophomore effort, Dark at the Crossing, was nominated for this year’s National Book Award.
16. I Was Told To Come Alone by Souad Mekhennet
I Was Told To Come Alone is an extraordinary memoir about a life in journalism. Souad Mekhennet’s journey from inquisitive child to fearless reporter tasked with communicating with jihadists is impossible to forget. Her final chapter is a call to arms for journalists and global citizens alike.
15. The Mothers by Brit Bennett
This is the first book I read in 2017, and it really set the bar high. Bennett’s wisdom and verve are evident on every page. I found myself falling in love with the characters all over again revisiting the novel for this post.
Note: The Mothers was published late in 2016, but I read it in January 2017 so I'm counting it for this year's list. It's my post, I can do what I want!
14. Salt Houses by Hala Alyan
I loved how Hala Alyan structured her debut novel. She wrote from multiple characters’ perspectives and jumped forward several years in the timeline throughout the book. This allowed her to explore themes like the aftermath of war and the development of familial relationships in a really heartfelt way. Her dialogue sang like poetry.
13. Sirens by Joshua Mohr
Joshua Mohr’s fiction is defined by brutal honesty. He upped the stakes by telling his own sordid (Mohr’s adjective of choice) tale. Make sure you listen to Mohr read from a section in Sirens (sure to elicit both laughter and tears) from our live event at Porter Square Books earlier this year. Very much looking forward to the follow up Model Citizen!
12. Stephen Florida by Gabe Habash
I finished Gabe Habash’s insanely well written debut in one sitting. Spending time in Stephen Florida’s head was like sitting on top of a runaway freight train.
11. Mrs. Fletcher by Tom Perrotta
The only thing I enjoyed more than this steamy satire was discussing it with Dave Pezza for #NovelClass. I loved the way Perrotta depicted his middle-aged female lead and how he crafted her eclectic supporting cast.
10. Marlena by Julie Buntin
As you’ve probably noticed, I’m a sucker for coming-of-age stories. Julie Buntin’s Marlena is one of the best ever written, and one that makes me want to up my writing game. It’s been rightly feted all year, and I’d love to see this story on screen.
9. Exit West by Mohsin Hamid
“Moving,” “romantic,” “tender,” and “violent” are all words I used to describe Exit West back in March. One of the central questions Hamid attempts to answer is, “Can new love blossom and survive in a war zone?” His answers are as poetic as they are heart breaking. And it all starts with this stellar opening line: “In a city swollen by refugees but still mostly at peace, or at least not yet openly at war, a young man met a young woman in a classroom and did not speak to her.”
8. Little Fires Everywhere by Celeste Ng
Celeste Ng has no rival when it comes to crafting characters. Those that populate Little Fires Everywhere are deliciously damaged. Tangled small town drama has never been this illuminating.
7. Sing, Unburied, Sing by Jesmyn Ward
Jesmyn Ward’s National Book Award-winning Sing, Unburied, Sing has its own heartbeat that you feel through its spine. All the ghosts that her characters are living with feel like they’re right next to you as you read.
6. Lucky Boy by Shanthi Sekaran
Soli, one of Lucky Boy’s main characters, is one of the most memorable, tough, and fierce mothers in fiction. You’ll find yourself rooting just as hard for her brilliant counterpart Kavya. Between them is a young boy unaware of the passionate struggle to claim him on both sides of the U.S.-Mexican border. I read this early in 2017 when the first of President Trump’s Muslim bans was enacted. It was a powerful read then, and remains one now in the face of continued xenophobia and discrimination.
5. Spaceman of Bohemia by Jaroslav Kalfar
Deep space, an astronaut tortured by the romance he left behind, and a spider that may or may not be imaginary. What’s not to love? Plus, my favorite cover of the year (not biased at all by the giant coffee cup)!
4. Goodbye, Vitamin by Rachel Khong
I’m still amazed that Rachel Khong packed so much heart, humor, and human themes into such a short novel. Khong is one of my favorite risk-taking debut novelists.
3. What We Lose by Zinzi Clemmons
Speaking of risk-takers, Zinzi Clemmons wrote an innovative, emotionally devastating novel that I continually re-read to get inspired. She’s a must-follow on Twitter as well.
2. All Grown Up by Jami Attenberg
I, perhaps unfairly, have compared every book I’ve read in 2017 to Jami Attenberg’s flawless All Grown Up. Attenberg told me in a podcast interview earlier this year that she wanted to “write something funny and contemporary, and loose and bittersweet.” She succeeded on all levels. This novel will be on my annual re-read list for years to come.
1. Pachinko by Min Jin Lee
Epic in scope and passionately written, Pachinko has been my number one since the day I started reading it. Min Jin Lee is a treasure. “History has failed us, but no matter,” my favorite opening line of 2017, still gets me.
Honorable Mention
Setting Free the Kites by Alex George, The River of Kings by Taylor Brown, Unsub by Meg Gardiner, What We Build Upon the Ruins by Giano Cromley, The Impossible Fortress by Jason Rekulak, Garden of Lost and Abandoned by Jessica Yu, She Rides Shotgun by Jordan Harper, The Wanderers by Meg Howrey, The Good Assassin by Paul Vidich, The River at Night by Erica Ferencik, Exit Strategy by Steve Hamilton, Trajectory by Richard Russo, Fierce Kingdom by Gin Phillips, Have You Met Nora? by Nicole Blades, White Fur by Jardine Libaire, Colorado Boulevard by Phoef Sutton, Hollywood Homicide by Kellye Garrett, Borne by Jeff VanderMeer, My Absolute Darling by Gabriel Tallent, Strange Weather by Joe Hill, In the Distance by Hernan Diaz, The Names of Dead Girls by Eric Rickstad, One of the Boys by Daniel Magariel, Wedding Toasts I'll Never Give by Ada Calhoun
The 10 Best Books of 2017 (So Far)
The first half of 2017 brought an onslaught of so many terrific novels and short story collections, ranging from newcomers fresh off of getting their MFAs to the master of short stories finally releasing a novel. Then there were translations of beautiful work that introduced Americans to incredible writers from places like Argentina and France. Needless to say, regardless of what type of fiction you like, there was something for you to devour in the past six months. Here are 10 I read, couldn’t stop thinking about, and continually suggest to friends, families, and strangers.
One of the Boys by Daniel Magariel
An unnamed boy narrates the story about his father’s journey after a divorce. The boy and his older brother have been told countless times how evil their mother is. However, it turns out that the father is an addict and it’s all his fault. That’s the basic premise of Daniel Magariel’s debut. However, that doesn’t do the book justice. His novel is written with such heaviness in such a short amount of pages. He doesn’t waste time, and though your read can be over in less than a day, the content will stay with you long after.
Read my interview with the author.
The Man Who Shot Out My Eye is Dead by Chanelle Benz
Finding a distinct voice is the first benchmark any great writer must accomplish. Chanelle Benz, author of The Man Who Shot Out My Eye Is Dead, has created more than just a voice to stand out from the crowd. She’s created 10.
The stories in Benz’s debut collection are told from perspectives ranging from an eighteenth-century slave to a baroque-style piece told in the collective We. The book begins with a non-traditional western that pulls readers in close, then follows up with a contemporary story of family and violence that is just as gripping. It’s not just the wide-ranging eras and plots that make each story stand out; it’s the carefully crafted voices. Benz is a trained actress who learned presentation is everything when it comes to captivating an audience, and she translated that skill into her writing.
Read my interview with the author.
American War by Omar El Akkad
This literary speculative fiction is one I keep thinking about over and over. It’s set in 2074-2095 and there’s another American Civil War. A young girl sees the horrors of life and grows up fighting. The steps Sarat takes in life can be viewed as heroic or villainous. This book follows her arc from innocent child to what a human can be turned into during a time of war.
Homesick for Another World by Otessa Moshfegh
Eileen, Otessa Moshfegh’s debut novel, was one of 2015's best books. Even though her current short story collection was highly anticipated, it somehow sneaked up and surprised me. It’s filled with 14 bleak stories about offbeat loners, liars, and less-than-perfect people. The writer's grip on these unsteady characters is stellar; she never makes a farce of their desires. Even though she pushes the boundaries with expectations, the fringe-ness of Moshfegh’s stories are reeled back in by the protagonists. Expect the unexpected, as cliché as that sounds.
Lincoln in the Bardo by George Saunders
George Saunders is already one of the most prolific writers of this generation. His short stories have captivated the world for two decades. Since the release of his first collection, CivilWarLand in Bad Decline, in 1996, Saunders has published numerous books of prose, including the 2013 critical darling Tenth of December. This year, we finally have his first full-length novel, Lincoln in the Bardo. It’s the type of book only a master craftsman like Saunders could pull off.
The story, which tracks President Abraham Lincoln on a visit to the grave of his recently deceased son, is narrated largely by ghosts in the cemetery. At 60,000 words, this isn’t a traditional novel by any means. Expect to be tested by the writer’s prose and style.
Read my interview with the author.
Black Moses by Alain Mabanckou
Technically this book may have come out in 2016, but the English translation came out recently and I devoured it. The French language is beautiful, but the prose is still gorgeous in this story. Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko a/k/a Moses grows up in an orphanage and turns to life in the underground crime world of the 1970s and 1980s.
Things We Lost in the Fire by Mariana Enriquez
Enriquez’ stories are vibrant depictions of her native Argentina, mostly Buenos Aires, as well as some ventures to surrounding countries. She fills the dozen stories with compelling characters in haunting stories that evaluate inequality, violence, and corruption. Characters range from social workers to street dwellers and even venture into dark magic users. With those characters, the author explores tourists in Argentina, the rich visiting the slums, and so many more dynamic areas of her home country.
Read my interview with the author.
No One is Coming to Save Us by Stephanie Powell Watts
The characters’ desires in this novel purposefully echo the ones from F. Scott Fitzgerald’s classic The Great Gatsby. The parallels between the two works themes are obvious, but do not go into this thinking it's a retelling. Watts has crafted her own world built on rich characters and eloquent prose.
Read my interview with the author.
What It Means When a Man Falls from the Sky by Lesley Nneka Arimah
It’s mesmerizing what Arimah can do with a seemingly traditional idea and stretch it into something distinct. Stories include a generational tale about ghosts of war, a father’s attempts to protect his daughter, a woman desperate for a child, and more. However, there is much more to these stories than a simple fragmented synopsis. For instance, the mother who wants a child weaves one out of her hair. Get ready to be wowed by these stories.
Marlena by Julie Buntin
When high schooler Cat meets Marlena, her world changes. She experiences a series of firsts thanks to her new friend, but then Marlena ends up dead. This leaves a lasting mark on Cat and the story shifts from that year to decades later. Half of the novel is an ace coming-of-age story. The other enlightens readers on what happens after.
17 Books That Should Be On Your Radar: May 2017
Every month, the Writer’s Bone crew reviews or previews books we've read or want to read. This series may or may not also serve as a confessional for guilty pleasures and hipster novels only the brave would attempt. Feel free to share your own suggestions in the comments section or tweet us @WritersBone.
Salt Houses by Hala Alyan
Daniel Ford: Hala Alyan’s debut novel Salt Houses is an incredibly beautiful, tender read. Her prose feels personal and lived-in, her characters seem like they’re ready to wander into your kitchen and have a cup of tea with you, and her dialogue is as lyrical and poignant as her poetry. There’s a real heartbeat on every page of this novel.
One of the things I love most about the book is how it’s structured. She jumps from character to character while moving forward several years in the timeline. This allowed her to explore themes like the aftermath of war and the development of personal and familial relationships in a way typically reserved for short story collections. Alyan crafted some powerful lines about love, family, and conflict that only someone who had this story in her bones could have pulled off.
As I said during my interview with the author (which you can listen to on May 8), human stories like the ones found in Salt Houses need to be told widely and often during these troubled political times. Pain and suffering weren’t just invented after Nov. 8, 2016. Humanity has been grappling with issues like identity, race, property, nationalism, and warfare since human’s stepped over the threshold of their cave dwellings thousands of years ago. Thankfully, novels like Salt Houses can delve into those seemingly intractable subjects in a moving and haunting way in the hopes of raising the level of our discourse.
The Wrong Side Of Goodbye by Michael Connelly
Sean Tuohy: Detective Harry Bosch is back in Michael Connelly’s latest thriller. The relentless LAPD detective is hired to find the missing heir to a billion-dollar fortune, while also trying to capture a serial rapist. Connelly is able to make each novel feel fresh and full of life. His characters are well developed, the plot is fast-paced, and you never know what will happen next.
Marlena by Julie Buntin
Daniel: From the isolated cold of Michigan’s Upper Peninsula to the impersonal, sun-kissed skyscrapers of New York City, Julie Buntin’s haunting Marlena is a coming-of-age story with real teeth.
Fifteen-year-old Cat’s world is off its axis when we first meet her. Her mother has dragged her and her brother to rural Michigan (where they can barely make ends meet), and Cat makes friends with Marlena, an abused drug addict who sets in motion a litany of “firsts” for our troubled heroine. Marlena ends up drowning in six inches of water, and Cat’s life is never the same.
Buntin explores Cat’s psyche and motivations by bouncing back and forth from past to present. The contrast between the simple, hardscrabble life Cat leads in Michigan and her trendy, avant-garde New York City existence couldn’t be more stark, and, in many ways, more heartbreaking.
Marlena is incredibly well written and structured for a debut novel (especially when you consider Buntin wrote a good chunk of it on Google Docs!). Buntin’s passion and dedication to the craft is evident on every page, and you’ll be ready for more of her work as soon as you finish the book.
Janesville, An American Story by Amy Goldstein
Gary Almeter: I have, in the past few months, read Evicted by Matthew Desmond and Hillbilly Elegy by J.D. Vance, so fancied myself an expert on the effects of post-industrialization on the Midwest and Appalachia. (Evicted has since won the Pulitzer.) So I thought it intriguing to see another middle class-focused book, this one about the closing of a General Motors plant in a Wisconsin town called Janesville.
Janesville, An American Story endeavors to chronicle the stories of people in that town following the plant's shutdown. What Goldstein, a Pulitzer Prize-winning reporter, has done here is astonishing. In an engrossing, chronological format, she follows several families, community leaders, politicians, and corporate representatives. She provides facts and the details that make up a life that newspaper headlines just can’t adequately convey.
Little Victories by Jason Gay
Mike Nelson: For six years I’ve been riding the bus to work. As a veteran, you can tell who’s a pro, who’s new, and who hasn’t been on wheels since their drunk uncle pulled them around in a Radio Flyer at a family reunion screaming, “And down the stretch they come,” while spilling his mint julep all over himself, you, and his soon-to-be-ex-girlfriend’s daughter sitting behind you. There are rules to be followed on the bus, etiquette to be embraced, common courtesy and thoughtfulness, and funny moments to be had.
This is exactly the type of thing you’ll find in Jason Gay’s Little Victories (but this, specifically, is not a thing you’ll find in his book). Gay, a sports writer for The Wall Street Journal, has had my attention for years as a refreshing voice who can make you think, learn, and laugh out loud (a breach of bus etiquette) all in the course of a paragraph. His stories range from interviewing Rihanna to playing touch football with his family at Thanksgiving to what it’s like to lose your job—each one sticking with you and teaching you lessons you might not need just yet but maybe someday will.
I have three complaints about Little Victories (this is how I rope you in to read the third paragraph of a book review for something you haven’t read):
- This is not a very long book (~200 pages), and even if you try to stretch it out, it goes too fast. I want more, Jason.
- I wish I saved this book for the summer because it is an absolutely perfect beach read.
- I can’t remember how to write with my own voice because Gay’s writing style is so infectious.
The River of Kings by Taylor Brown
Daniel: I read Taylor Brown’s stunning debut Fallen Land in two sittings midway through 2015. I then had to wait six months to crow about it. (The novel ended up at #3 on our best books of 2016 list.) Brown’s sophomore effort, The River of Kings, was released this past March and I’m taking a different approach to reading it. Instead of rapidly powering through the novel, I’m savoring every sentence, every character, every line of dialogue, every chapter. There’s something about Brown’s writing that feels like home, regardless of what he’s putting his characters through. He’s a special talent, one that’s just going to get better with age.
American War by Omar El Akkad
Daniel: Omar El Akkad’s American War follows ably in the footsteps of Ben H. Winter’s Underground Airlines. The novel features a dystopian America, a second Civil War, shadowy characters, familial angst, and a culture that (horrifyingly) doesn’t feel too different than our own.
Within the thrilling tale lies a coming-of-age story (don’t they all?) for the main character Sarat. The young American refugee makes decisions that have implications for not only herself, but for the nation ravaged by war. The book’s release could not have been better timed, and offers a fictional cautionary tale to our politically divided country.
A Brutal Bunch Of Heartbroken Saps by Nick Kolakowski
Sean: I recently received this book from the author and I’m loving it. This is a must read for fans of gritty, hardboiled storytelling. Bill, a man on a run, has the misfortune of being taken hostage during his cross-country escape. Written by someone has a passion for the crime genre, this brutal story balances humor and violence brilliantly.
The Dinner Party by Joshua Ferris
Gary: I just got an email notification from my library that my copy of Joshua Ferris' The Dinner Party is ready for me to pick up on the reserve shelf. I reserved it back in January (I was the first one to do so), and periodically checked on it to make sure things were all systems go with the reservation.
This is one of the highlights of my 2017. Ferris is an author who makes books and writing cool. He’s the closest thing literature has to Matt Damon. His three novels have been spectacular. He chronicles the absurdity and the normalcy of life in the 21st century with characters that are likable and simple (and with whom we can all identify). This collection of short stories (many of which have appeared in The New Yorker already) is his first. The title story, about a dinner party, is a doozy.
Author’s Corner
By Josh Cook, author of An Exaggerated Murder
Tell Me How It Ends by Valeria Luiselli
In perhaps the most important book of 2017, Luiselli tells the story of her time volunteering as an interpreter for undocumented children fleeing violence in Central and South America seeking residency in the United States. Luiselli tries to change the way we talk about immigration, especially from our Southern neighbors, by exploring our complicity in the crises that turned these people into refugees and reminding us that quite often, when we're talking about “illegal aliens” and “undocumented immigrants,” or whatever other term someone might try to scare us with, we're talking about children.
The One-Eyed Man by Ron Currie
An exercise in questioning our assumptions, an examination of the state of our political discourse, and an exploration of the value of being irrational. Obviously, the topical aspects of Currie's great book stand out; reality television, political punditry, what counts for debate on cable, and the madness surrounding the American gun debate, but I think Currie's real target and real brilliance is something both smaller and bigger: how do we make sense of death and how do we figure out how to live.
Recitation by Bae Suah
A drifting lyrical book about place and identity that follows the story—as much as there is a story—of a mysterious Korean recital actress wandering through cities, lives, and apartments.
The Warren by Brian Evenson
If there is such a thing as “sci-fi noir” (and I'd argue there is) Evenson (who also writes more literary short stories) is a master of the genre. This novella is a good introduction to Evenson's dark, gritty, cynical fiction. Definitely for fans of PKD
Unbearable Splendor by Sun Yung Shin
Poetry as essay? Essayistic poems? Poetic essay? There are even some charts. Sometimes the pieces feel more like poems with fluid grammar and freer themes and some feel like they have the focus and coherence of essays. I love books like this that ask questions just by existing.
Hothouse by Karyna McGlynn
McGlynn is a favorite of mine. Her poems have a dark sense of humor and an interesting kind of intimidating sexuality to some of them. Though she is probably closest to Patricia Lockwood in style at the moment, this collection also has the weirdness that I love in James Tate
Make: A Decade of Literary Art
An anthology of short stories, essays, poems, and art from the literary magazine Make. Make isn't a magazine I'm familiar with, but it's a beautiful book and includes work by some great authors like Valeria Luiselli, Maggie Nelson, Dorothea Lasky, Martin Seay, Alejandro Zambara, and Kate Zambreno.
#NovelClass
Listen to Daniel Ford and Dave Pezza’s discussion about Jaroslav Kalfar’s debut novel Spaceman of Bohemia.
Learn more about the #NovelClass series.