filmmakers

My Favorite Movies of 2017

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By Sean Tuohy

2017 was a year based on a horror flick...where the orange villain wins.

As always, going to the movies is a great way to escape, and this year was filled with some fantastic films.

Feel free to share your favorites in the comments section or by tweeting us @WritersBone.


“It”

This Stephen King adaption has been in the works for years. The made-for-television movie is still loved by many, but this version was absolutely terrifying. “It” makes you fall in love with a group of outcast school children living in Maine during the early 1980s. Which is why when “The Losers Club” is put in harm’s way—something that happens a lot—you feel true fear for them. Also, there is a really creepy clown in this movie. Like, poop your pants scary.


“Wonder Woman”

This classic D.C. comic book heroine arrived on the big screen with a bang. “Wonder Woman is filled with an amazing cast, a solid plot, and a lead actress who played the Amazon warrior with the right mix of heart and toughness.


“Logan”

The final film to star Hugh Jackman as the claw-stabbing Wolverine, this film went for the R rating in a bad way. “Logan” (written by our literary friend Scott Frank) starts off with a bloody and corpse-coated opening scene, immediately alerting viewers that this is a dark and moody superhero movie. Pulling from classic westerns, “Logan” follows a dying and forgotten hero in search of some type of redemption. I won’t spoiler it here, but the film has one of the darkest and most heartbreaking scenes I’ve ever seen in a super hero movie…and I loved it.


“The Big Sick"

This modern romantic tale was inspired by a true story. Told with a big heart and heaps of truth, “The Big Sick” will make you cry and smile at the same time.


“Baby Driver”

Part musical, part crime story, this genre-bending film from “Hot Fuzz” director Edgar Wright is a must watch.


“Dunkirk”

Christopher Nolan returned to the big screen with this sweeping World War II epic. Nolan toyed with the typical war story (in classic Nolan fashion), which focused on the British defeat and desperate retreat at Dunkirk. The aerial footage in this film is breathtaking.


“Wind River”

The screenwriter of “Hell Or High Water” made his first outing as a director with this gritty crime drama and did an amazing job. Honest and brutal, “Wind River” follows a hunter who helps a young FBI agent investigate the murder of a young woman in Wyoming. This film will shake viewers to their core.


“The Florida Project”

Heartbreaking, but wildly fun at the same time. Director Sean Baker perfectly captures the world of a trouble-prone six-year-old girl living in a motel with her deadbeat mother.


“Jim & Andy”

This in depth look at the making “Man On The Moon” shows the viewers the commitment of actor Jim Carrey as he tried to bring his hero, Andy Kaufman, back to life.


“John Wick 2”

Stop rolling your eyes. When the trailer first came out for this film I shook my head in disbelief. But after watching this edge-of-your-seat action film I see why it gets so much love. “John Wick 2” takes a simple concept and builds a murky world filled with thieves, killers, and a code of ethics.


“Get Me Roger Stone”

It is hard to say Roger Stone’s name without vomiting or screaming in anger. This fantastic documentary examines the outspoken Trump supporter with in-depth interviews. A must watch if you want to understand the rise of Trump.


“Bushwick”

This gem flew under the radar. “Bushwick” is original, wild, and filled with some great steady cam work. A young woman trying to get home to Bushwick, N.Y. finds herself in the in middle of the next civil war. 


“Wheelman”

This crime drama from Netflix is an edge-of-your-seat thriller. It features smart nods to classic noir and bone-crushing car chase scenes.

Meet America’s Evil Step-Uncle in 'Get Me Roger Stone'

By Sean Tuohy

One of the most common questions asked in our current political situation is: “How did we get here?” The provocative Netflix documentary “Get Me Roger Stone” provides some answers.

Trump wouldn’t have secured the Oval Office without the help of Roger Stone, a brilliant, yet sleazy, political operative (whose love for Tricky Dick Nixon is so powerful that Stone got a tattoo of the disgraced President on his back).

For the better part of 40 years, Stone has been the unapologetic mastermind behind the far-right conservative movement in the United States. He's a firm believer in political dirty tricks, and his mindset is simple: win at any cost. He’s employed all manner of low blows to get people like Nixon, Ronald Reagan, and Donald Trump into office.

In “Get Me Roger Stone,” the “agent provocateur” is presented to the public like America’s evil step-uncle. He’s the man lurking in the shadows, preying on America’s worst fears and weaknesses. The documentary does a great job at allowing the subject to speak for himself. At no point do the filmmakers (Dylan Bank, Daniel DiMauro, and Morgan Pehme) try to paint a different, more flattering portrait of Stone. They allow him to stand on his soapbox and shout his views of how the world should look. Much like the shady politicians he’s championed, Stone is endlessly fascinating. Yes, when he smiles you feel a chill run down your spine and he dresses like a caricature of the devil, but he has a natural charm that keeps you watching.

Stone is a man who wants to be known; being hated doesn’t matter as long as you remember he exists.

You won’t like Roger Stone by the end of the film. The idea of seeing the man fail makes you giddy with joy. But you also learn that he gets off on your hate. Where most people want to be liked by the public, Stone is a man who wants to be known; being hated doesn’t matter as long as you remember he exists.

“Get Me Roger Stone” is a great piece of filmmaking. The Trump administration didn’t happen overnight. It was years in the making, and Stone was one of the few people to see it coming. The film may not help with your rage or depression, but it will help you better understand the America we’re currently living in.

Movies Archive

Remembering Director Jonathan Demme: 3 Forgotten Films We Love

Jonathan Demme

Jonathan Demme

By Sean Tuohy

Hollywood has suffered a major loss with the passing of legendary director Jonathan Demme. Known for smart films that changed the cinematic landscape—“Silence of the Lambs,” “Philadelphia”—Demme was a filmmaker who pushed his craft to its outermost limits.

His films feature extreme close-ups, pop music scores, and expert Steadicam shots. He directed some truly memorable films during his 30-year career, including these three that may have been (wrongly) forgotten or dismissed by the public.

“The Truth About Charlie”

This charming and funny remake of the 1960s film “Charade” was Demme’s love letter to French New Wave films. “The Truth About Charlie” makes Paris a lively character in this strange spy story. It captures Demme’s ability to balance humor with heart-pounding thrills, as well as his talent for crafting artsy mainstream films.

“Married To The Mob”

In this film, Michelle Pfeiffer plays a widowed Mafia wife who is trying to restart her life after her husband is murdered. However, a lonely FBI agent and a Mafia kingpin fall in love with her and fight for her affection. Demme injected the right amount of heart and romance into this whacky comedy.

“The Manchurian Candidate”

This remake is one of the most overlooked and underrated thrillers of the past 20 years. It made great efforts to declare itself as a different film while paying respect to the original. Capturing the feverish anxiety of the post-9/11 world, “The Manchurian Candidate” keeps viewers on the edge of their seats while also creating a relatable world filled with conflicted, damaged characters. 

Nantucket and Eric Dane Anchor John Shea’s Romantic Thriller ‘Grey Lady’

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By Dave Pezza

The humble island of Nantucket is the true star of John Shea’s latest project “Grey Lady.” Shea—best known for his roles on “Lois & Clark: The New Adventure of Superman,” “Gossip Girl,” and “The Good Wife”—delivers a sturdy thriller that follows Boston detective Doyle, played by Eric Dane (“Grey’s Anatomy,” “The Last Ship”). Doyle retreats to Nantucket after the violent deaths of his sister and partner/lover at the hands of a serial killer that has pointed the crosshairs at everyone the monosyllabic cop loves. 

The island, though, stands out as a main character on its own. Shea forgets none of Nantucket’s gorgeous ocean vistas, quaint shoreline shacks, eerie fog, or beachfront storms. He uses the island’s best aspects to draw the audience into its insular community as Doyle returns to the place he cherished as a boy. The present-day Nantucket is marred in his eyes by the rogue investigation that has consumed his life, despite the good people he finds that want to help him both professionally and personally. Adrian Lester (“Primary Colors,” “The Day After Tomorrow,” “Hustle”) plays police officer Johnson, Doyle’s somewhat reluctant partner in crime, and Natalie Zea (“The Detour, “Justified”) skillfully inhabits the role of Melissa Reynolds, an alluring and enchanting local painter.

“Grey Lady” stays true to its genre. Packed with suspense between the island’s wide shots, Shea and his writing partner Armyan Bernstein touch upon mental illness, childhood drama, loss, alcoholism, family ties, and even managed to sprinkle in a little torture and cult-like ritualistic homicide. From start to finish, “Grey Lady” offers a dark ride that constantly leaves you not asking “who?” but “why?” 

With the exception of some awkwardly paced transitions, dissonant dialogue, and perhaps one plot twist too many, “Grey Lady” highlights Eric Dane’s formidable talent as an action/drama leading man, Natalie Zea’s uncanny range, and Shea’s masterful sense of suspense. Not to be undervalued are Chris Meyer’s haunting and remarkable performance of the gruesome and capable Perry Morrison, and the efforts of the beautiful and talented Carolyn Stotesbery, who plays Meyer’s shadowy and emotionally-damaged counterpart. All of these facets come to head in the film’s most accomplished scene: Doyle’s suspenseful game of cat and mouse with the murderer at a bed and breakfast as Melissa is held captive as bait.   

“Grey Lady” opens nationally on April 28 and is well worth a Friday night viewing for lovers of noir, a touch of poetry, and a dash of bittersweet romance.

Listen to our podcast interview with writer/director John Shea: