5 Comics You Should Be Reading

By Atalie Garcia

There are so many comics outside of DC Comics and Marvel that comic readers should get into. Although we love the publishing giants, sometimes we like to take a step back and enjoy other publishers. It’s good to get out of your comfort zone, so dive in and check out these awesome comics that you may not have heard of but definitely should be reading.  

Descender

Publisher: Image Comics
Writtten By Jeff Lemire
Illustrated By Dustin Nguyen

Descender is a fantastic science fiction comic that takes a turn towards the innocent by presenting its story through the protagonist, TM-21, a robot modeled as a young boy who is just as innocent as he was intended to be. The comic centers around nine core planets, primarily Niyrata where the cultural hub and best minds were. Past being the proper tense because nine giant robots appeared from nowhere and wiped most of all organic life. This absorbing sci-fi is a fantastic read for anyone who enjoys a good science fiction comic.

The Spirit

Publisher: Dynamite
Written By Matt Wagner
Illustrated By Dan Schkade

Take a trip down memory lane without the problematic facets of the 1940s and you get this new published version of Will Eisener’s The Spirit. It’s campy, fun, and most of all promising. It takes problematically portrayed characters of the comics past (i.e. Ebony White) and draws them well and portrays them wonderfully. If you’re looking for something that is packed full with adventure or just want to experience a modern day version of The Spirit, we recommend this comic wholeheartedly.

The Black Hood

Published By Dark Circle Comics
Illustrated By Michael Gaydos

If you enjoy dark and gritty stories then The Black Hood is certainly for you. It’s a story about a police officer that gets disfigured while killing a vigilante. Not only does he face personal problems like dealing with his depression and drug addiction but he finds himself taking up the mantel of the vigilante that he killed: the Black Hood. This bleak story is great for those who enjoy the darker side of crime fighting.

We Stand On Guard

Published By Image
Written By Brian K. Vaughan
Illustrated By Steve Skroce

This futuristic story begins its first issue with an explosion and ends it with an icy wasteland. Canada is invaded by the United States and a small band of Canadian freedom fighters are here to take their country back. The first issue serves to surprise and intrigue, which it does very well. Since it just began there isn’t much to say about the story except that it presents many questions that you can’t wait to be answered. A great read in the making.

Providence

Published By Avatar
Written By Alan Moore
Illustrated By Jacen Burrows

Alan Moore is an amazing writer and Providence is no exception to his writing prowess. It’s seeped in mystery, is captivating and keeps you wanting more. It’s a love note to H.P. Lovecraft and excels in its genre of horror and mystery. A definite read for anyone who enjoys Alan Moore and deeply rooted plots.

Atalie Garcia is the owner and writer of www.onlynerdsallowed.com where she writes comic book reviews, character biographies, and opinion essays on comic book lore and culture. When she is not writing about comic books she's busy being Batman.

For posts from The Boneyard, check out our full archive.

10 Great Douchey Writer Moments in Film

Jack Nicholson in "As Good as It Gets"

Jack Nicholson in "As Good as It Gets"

By Daniel Ford

One could make the argument that any character acting like a douche in a movie is a reflection of some part of the screenwriter’s personality. However, in compiling this list I limited myself to just those movies that featured a writer on screen acting like a true asshole. Feel free to make your own suggestions in the comments section or tweet us @WritersBone.

You’ll Never Write Well

Ernest Hemingway in “Midnight in Paris” subtly telling Owen Wilson’s character he’ll never be a good writer.  

All Work and No Play

Jack Nicholson, how hard is to write a play and not go crazy? Oh, you’re married to Olive Oil? Never mind, carry on with that ax.

“I’m a $250 a Week Newspaperman”

I’ve posted this before, but it’s worth including again. “Even for Albuquerque, this is pretty Albuquerque.” And the editor just refunds him his nickel! Challenge him to a duel at least!

Of Course I Won

Sean Connery’s character brags about winning a Pulitzer and then drops this gem: “Writers write so readers can read.” He then goes on to pretty much nail why it’s great to be a writer (regardless of talent).

Writing Women

Poor Julie Benz…she doesn’t even see it coming.

Miles From Sideways

Fine, don’t drink the merlot.

Nice Tip

I suppose you do have to give Johnny Depp’s drug-addled character some credit for actually tipping the waiter. The fact that it was a handful of change thrown on the ground is a minor detail.

That Was the Only Copy??

What the fuck is the matter with Michael Douglas in “Wonder Boys?” Oh yeah, he’s a writer. He just “couldn’t stop.”

Zen Douche

Philip Seymour Hoffman’s Lester Bangs in “Almost Famous” brings the douche, but it would be hard to argue that he’s not damn inspiring at the same time.

My Opinion Is I Hate It

One more “Midnight in Paris” Hemingway jab for the road.

For posts from The Boneyard, check out our full archive.

10 Authors You Should Be Following on Twitter

By Daniel Ford

Here are 10 more writers who deserve a follow from all aspiring wordsmiths. Feel free to share your own favorites in the comments section or tweet us @WritersBone.

Chigozie Obioma (@ChigozieObioma)

Author Chigozie Obioma, whose novel The Fishermen we reviewed at the end of May, is funny, poignant, and passionate on Twitter. The world needs more of all three.   

Janaka Stucky (@janaka_stucky)

Poet Janaka Stucky made me think about modern poetry in a different way and had beautiful insights into writing in general during our interview. Well worth a follow in order to get a dose of inspiration on a daily basis.  

Erica Wright (@eawright)

If you’re looking for poetry, humor, and really good reads, look no further than author Erica Wright's Twitter feed.

Boyd Morrison (@BoydMorrison)

Any author that comes on our podcast and writes with Clive Cussler automatically lands on a list like this. It’s the rule. Author Boyd Morrison also happens to be a lot of fun as well!

Tania James (@taniajam)

My first Twitter interaction with author Tania James involved her making an off-color joke about Writer’s Bone’s name. I followed her immediately. Also, elephants.

Rory Flynn (@MrRoryFlynn)

Not only should you be reading and following author Rory Flynn, but you should get to Boston and see him in person during our live podcast at Trident Booksellers & Cafe on June 25 at 7:00 p.m.

Anthony Breznican (@Breznican)

Yes, Anthony Breznican’s  life is cooler than yours, however, you’ll never feel jealous following his Twitter handle because…well…"Star Wars."

Anne Leigh Parrish (@AnneLParrish)

Has author Anne Leigh Parrish contributed an interview, essay, and original fiction piece to Writer’s Bone? Yes. Does that make us biased? Of course it does. However, follow Anne for a ton of inspiration and insights into the writing and publishing world.

Ross Ritchell (@rossritchell)

I think author Ross Ritchell earned plenty of credit from our female readers when he credited his wife as being the reason he gave writing a try. Not all badass writers are as good to their women.

Brian Panowich (@BPanowich)

Not only is musically-inclined author Brian Panowich a de facto member of the Writer’s Bone crew, but his debut novel Bull Mountain comes out July 2 (and it’s really good)!  

Also worth following: @DavidJoy_Author, @michael_f_smith, and @StephPostAuthor.

For posts from The Boneyard, check out our full archive.

Twitter's Must-Read List: 5 Novels You Should Look Out For

By Daniel Ford

Getting into a reading/writing groove can be tough after a long weekend.

Needing a creative jolt, I reached out to our Twitter followers and asked the following:

Here are some of the responses we got back from our tweeps:

To recommend a book or join the conversation, simply tweet us @WritersBone and use the hashtag #theboneyard

For posts from The Boneyard, check out our full archive.

The Boneyard: Fifty Shades of Lame. Should Nepotism Trump Talent?

We didn't want to watch the movie either...

We didn't want to watch the movie either...

The Boneyard features the best of the Writer’s Bone crew's daily email chain. Yes, we broadened the definition of “best” to make this happen.

Sean Tuohy: E.L. James, the author of Fifty Shades of Grey, forced the studio to hire her husband Niall Leonard, a well-respected screenwriter in his own right, to pen the next movie in the series. As a writer, how would you feel if you were given a high-profile assignment because who you were married to and not based on your talent or skill?

Dave Pezza: Well if you're a writer and you have an opportunity to get paid for your writing, no matter how shitty your writing may be, you take it.  A gig is a gig is a gig is a gig.

However, I'd feel someone was totally giving me a leg up, but then again don't we all need a leg up.  No one ever really "makes it" on their own.  All I can hope is that if I am ever given an opportunity like this, it isn't to write something as embarrassing and as god awful as Fifty Shades of Middle Aged Regret.

Sean: I agree with you on the "no makes it on their own" point, but I would feel weird if I got a high profile gig not based on my writing at all but who I decided to put a ring on.

Did anyone here see the first “Fifty Shades of Grey?”

Dave: You'd feel weird, but you'd totally write though, right?

Sean: To be honest, I don't really know. Going with my gut, I would say no. I don't feel like I would deserve it. Yes, it’s a paying writing job but it’s not all about money. I want to be hired for my work and my skills as a writer.

Then again, my credit card payment is due in two weeks...

Daniel Ford: I couldn't even make it through the boring trailers.

Part of me really enjoys the fact that a writer has this much control over a movie. Or this much power in general. I don't begrudge any writer making money, but this wasn't the case of someone hitting it big for something they labored over for years. It was a marketing plan from the beginning, so I'm not surprised that the writer is acting more like a media mogul as opposed to a creative collaborator. I'd like her to use some of that money to buy some writing classes or, at the very least, a dictionary or grammar book.

Her husband apparently worked on the first film, and doesn't seem to have a problem getting his own piece of the cash cow. I don't think I'd mind getting a leg up, but I'd want to work on a project of my own. Then again, if my wife asked me to do anything, I'd probably do it, especially if she's making way more money than me.

Stephanie Schaefer: Well, the only reason Dakota Johnson was cast as the female lead was because of her famous parents, so nepotism all around.

And no, I did not see the movie or read any of the books. The awkward lack of chemistry the two leads had at the Golden Globes, among other things, deterred me from spending $14 for a movie ticket.

Daniel:  And led to media coming up with posts such as “15 Inanimate Objects With More Chemistry Than Jamie Dornan and Dakota Johnson.”

Anne Leigh Parrish: Oh, I don’t know. I’d probably take the job. But, as to the book itself, didn’t read it, didn’t see the movie. It’s set in Seattle (where I live) so that may be why I couldn’t quite take it seriously. Also, the movie reviews were scathing.

Daniel: I don't know, people make a big deal about selling out, but hanging on to integrity and principles when you're buying Chinese food with the spare change in your piggy bank (which I was doing religiously at one point) is stupid, right?

Dave made a good point to me just now, that most of us on this chain don't have the money to make some kind of noble stand for our integrity as creative types. And what does a stand like that look like nowadays? George Clooney took the money he made from “Batman & Robin” and became a "serious" actor and director. Is it possible to dip your toe in the water of commercialism just so you can do your own thing, or does that mark you for life so that people never take your work seriously (in Clooney's case, it helps to be handsome and talented)?

I think if someone said to me, "Daniel, we think your novel would sell like hotcakes if you added in 12 more sex scenes and killed off 75% of the characters during the first act," I would tell them to go pound sand. But if my work gave me the opportunity to jump to a different, more lucrative project that may or may not be helmed by my significant other, I think I'd be more inclined to go for it. 

A question for Sean though, if you've got a few credits under your belt and your spouse picks you for a project, would you really think you didn't deserve it? What would have to do in your career to feel like you can write a third-rate soap opera starring two actors Joey and Rachel on Friends look like a power couple.

Sean: Yeah, if my spouse bitched and moaned that I should get the job to write the movie and she wanted me to do it because she knew she could control me I wouldn't take it. That is the feeling that I am getting from E.L James. She wants complete control of the project.

If my spouse was helping me, giving me a leg up like Dave said, I would work extra hard on it because I still would feel like I didn’t deserve, but I’d work three times harder to prove to everyone that I do.

Lisa Carroll: From the Fifty Shades of Grey peanut gallery:

1. I read all of the books. And, I didn't hate any of the books for the same reason I tore through the Twilight series; there's something exciting about having a window into the world of these girls who are the obsession of a hot guy (Team Jacob, by the way). As a plot-driven reader, I skipped over most of the sex stuff because it was just the same thing over and over and over but I did get lost in the storyline and I did enjoy the guilty pleasure of reading the series just like I used to enjoy “Days of our Lives” and “General Hospital.” Classic literature? No. But, it had exciting moments. It had a few (sometimes obvious) plot twists. It was entertaining and frivolous and sometimes that's enough.

I saw the movie with my 72-year-old aunt who also read all the books (she would make a great book character but that's for another day). The movie was okay. I didn't hate it. But the truth is that the book is always better than the movie and when the book is just okay, the movie doesn't have much of a chance. The chemistry was pretty bad (and Daniel, I laughed at the intimate objects link!) and because much of the story is internal, the presentation of it was meh. But again, entertaining and frivolous and sometimes that's enough. Oh, and it was the first movie I've seen without my 14-year-old daughter in 14 so I think there was also something about being at an adult movie that made me a little giddy and light-headed from the moment I sat down with my own popcorn. If there are any movies I've missed since October 2000, please share so I can watch them on Netflix. Thanks.

As an aside, these are two books that I carry in my middle school and I have had more than one kid ask for Fifty Shades of Grey when they really mean Between Shades of Grey. It gives me a good chuckle. Although, I did have one boy who asked for Fifty Shades and really meant Fifty Shades and he seemed rather disappointed that his middle school library didn't carry it.

2. The writing job. I have no context here. I haven't read about it or looked into the circumstances around which this hiring took place. So did he get the job because she figures he will listen to her when it comes to maintaining the integrity (if that's even a good word to use for the book) of her story/plot? Does she think he'll be easier to manipulate than another writer? Does she figure that since she's sleeping with the screen writer she'll have more say?

And if she's a good wife, she thinks he's a helluva screenwriter because that's what we wives do. We believe in our spouses. So I'd assume she's picking him because of his talent and skill and because of the ring on his finger and maybe because he's the person upon whom Christian Grey is based which is more than I want to think about...

And let's be honest, there are people who make money writing frivolous crap so I pose the question: is it always good to make money at your craft and to earn your living doing the thing you love to do? Or is there a line of integrity that you wouldn't cross? I give you the trained ballet dancer who is making a living on a pole, the singing waitress, the actor who is doing Viagra commercials. How low is too low? How many of you would just love to write for a living?

To add to the discussion, comment below, weigh in on our Facebook page, or tweet us @WritersBone.

For posts from The Boneyard, check out our full archive.

The Boneyard: The State of Science Fiction

From "The Twilight Zone"

From "The Twilight Zone"

The Boneyard features the best of the Writer’s Bone crew's daily email chain. Yes, we broadened the definition of “best” to make this happen.

Daniel Ford: Sean and I talked about some of our favorite reads for an upcoming podcast and included:

  • Starship Troopers (just kidding, Sean hates that book, I want to get him foaming)
  • Heir to the Empire (First book in the Star Wars extended universe).
  • Dune (just kidding, I hate that book)
  • The Martian (great techie read)

So what's better? Sci-fi books or movies? What makes a good sci-fi read/film? What makes a bad one?

Oh, and maybe you've seen the new "Star Wars" trailer...

Dave Pezza: First off, "sci-fi" as a genre has really degraded to series specific mini-universes, which I find rather boring and way too repetitive.  So I don't have much for you. Star Wars extended universe novels aren't very good. I'm sorry that's not the answer you want, but they are only cool for the novelty of reading about “Star Wars” characters outside of the confines of Lucas' movies. It's the truth, and it's coming from a huge “Star Wars” nerd!

Then you have stuff like Ender's Game or The Hunger Games series, which classify more under Young Adult. And Young Adult novels should be read by young adults...

So what's left: One offs that don't get much attention. I was recently given a copy of Hitchhiker's Guide to the Galaxy, but I haven't read it yet. Sooooo can't really talk about that one. I would argue that 1984 and Fahrenheit 451 are sci-fi (really the whole old school dystopian novel is really sci-fi), but I have only read the former. Good sci-fi is dying; blame lack of imagination and science's shitty way of explaining everything and nothing at the same time. All we have now are shitty pseudo fantasy books like Game of Thrones that fail at emulating a genre that has already been and always will be dominated by Tolkien lore, an author who all but invented that genre. No, I take that back, he did invent the genre. 

Matt DiVenere: I think Dave forgot to say something at the end: "Boom, roasted."

Ernie Smith (founder of the awesome newsletter Tedium and website Short Form Blog): I live for horrible sci-fi on "Mystery Science Theater 3000."

Daniel: I actually agree with you on a lot of these points. Sean actually asked me what those Star Wars books were about and I stammered for a bit and then said, "Oh yeah, they aren't good."

The other thing is that all of these sci-fi series are a time investment. How many Star Wars EU books are there? A billion. The Dune series is long. The Hunger Games is a trilogy, but I'm not wasting my time with three books while I'm rooting for all the kids to be murdered in book one.

That's why Sean and I liked The Martian so much. It was one book, the science wasn't outlandish, and it was explained in a way that didn't make you feel like you were back in an eighth grade biology class. And it was one of the funniest books I've read in a long time.

So, why the intense passion when it comes to sci-fi? Is the millennial generation stuck in a perpetual childhood? Or do people just latch on to these series to escape their otherwise bleak and pointless realities? 

Dave: Well, Daniel, let's be honest about this generation; they are lazy. Now before you all give me the "our parent’s generation had it so much easier," argument, which certainly has its merits and roots in reality, it doesn't change the fact that our generation is lazy and media saturated. We don't read newspapers; we read news tweets or news feeds. We tend to ignore context and gulp text. We don't pine for childhood; we digest and consider our books and stories at the level of a child. We need plot up front, characters who we can recognize as good or bad a chapter in. We don't want to understand the science behind something, just what it results in. The old school allure of science fiction were the questions how? And why?  How does warp drive work and why is it important to travel through space to seek out new life and new civilizations. Now we ask questions of so what? Okay, so what's the plot of “Star Trek,” what happens?  “Star Trek,” “Star Wars,” and most sci-fi has never, ever been plot driven. Because plot is hard to get right, because plot is largely synthetic. Real events rarely ever follow and interesting or climatic story arch. And when you are writing a synthetic story in a synthetic time with synthetic science, something needs to feel real.

Sci-fi now faces its toughest obstacle: an audience that already thinks it has all the answers to the questions sci-fi would try to ask. Look at my favorite sci-fi media of all time (and really the gold standard): "The Twilight Zone." This series had zero plot. Zero! Each episode was unconnected and was presented as a vignette. It challenged the watcher to consider if things incredibly were different, making us consider how we would react, forcing us to think about how our morals and assumptions could or would exist if there really was a gremlin tearing apart the outside of the plane, if an atomic bomb really did destroy the whole world and left just you and your books... and your broken pair of glasses.

We don't think like this anymore. And that might be why we don't have a space program or that the biggest achievements in science are in web based consumerism.

Food for thought. All I know is that I'm picking up The Martian, because it sounds cool as shit!

Daniel: Slow clap.

You're right. Characters are what drive any fiction worth reading, and even more so in sci-fi. There has to be a huge helping of humanity in all of these crazy world for any readers to give a damn. But since our generation tends to be more superficial, action takes the place of true narrative. In books/movies like “Star Wars” and “Star Trek,” you're not invested in it because you like the plot (I mean, “A New Hope” is essentially a spaghetti western). It's because the characters reveal something about you and humanity in general that makes you keep watching and rooting for/against them. It's still a broken world, just like ours, but with lightsabers and Force choke holds.

Which leads me to ask another question:  Do you think the pendulum swings back to where there's more literary-based, honest, character-driven fiction that's not serialized, or does the fact that these turds make boatloads of money mean that we're stuck in this trend for some time to come?

Dave: Well, I think the answer to your final question is yes; I do think this turn could happen in the near future, but I don't think it will be because of any clear distinction between good literature, sci-fi or not, or serial pop bullshit. The industrial will change because big publishers cannot compete with the sheer volume and inexpensiveness of the self- and pseudo-self-publishing trends. Amazon and other helpers of self-publishing are turning out books, serial or not, whatever they can get their hands on. Yea this gives you a lot of shit, but just as much shit that big-time publishers used to take chances on, and Amazon is doing it for a fraction of the cost and thrice the profit.

So that leaves us with publishers doing their homework again and putting out untested authors with untested fiction. It's not the best, but it's better than the last few years. Yea, we'll still get a Stephen King novel a year, James Patterson's NYPD 1-8, and dog feces like Fifty Shades of Gray, but at least we can sift through and find The Martian, Green on Blue, or Redeployment. Simply because publishers can't afford to not publish these books.  If one hits they make their money, but if they don't and Amazon hits with it, publishers will lose more than they would having it flop.

Maybe The Martian will inspire a second coming for sci-fi. Maybe we'll finally grow out of vampires and zombies and poorly written fantasy. We'll just have to keep searching and finding the good ones.

Here’s what some of our social media followers had to say about what makes a good sci-fi read:

John D. Moore: For me, I like one that is believable to some degree. I like good science and some history. Stories set underneath the oceans, near the ice caps, or in the rain forest generally get me.

Rick Vincent: It’s about imagination and reading something unique, yet, as John says doesn't take too far a leap with believability. Science fiction that doesn't stretch science too far (or is well explained how) is more interesting to me. I would love it if someone post the five must-read sci-fi books. I've read Asimov, Bradbury, Vonnegut (if you call Slaughterhouse V sci-fi), and am now reading Le Guin.

Deborah Wall McGraw: Kim Stanley Robinson's Red Mars series and his 40 Days Of Rain series are wonderful. The science holds up over the years and yet there is the future to imagine. I am kind of tired of the stories where the future is horrible, though I still think 1984 is amazing.

To add to the discussion, comment below, weigh in on our Facebook page, or tweet us @WritersBone.

For posts from The Boneyard, check out our full archive.

Digging Coal Together: 20 'Justified' GIFs to Help You Mourn the End of the Series

By Daniel Ford

I have plenty of thoughts about the series finale of "Justified," but I want to save them for an upcoming podcast with Sean Tuohy and Dave Pezza (who I dig literary coal with on a daily basis). I’ll just say that Raylan’s final television nod (come on, they can make Pronto into a movie, right? Right???) was one of the most satisfying conclusions to a show I have ever seen. The writers did Elmore Leonard very, very proud.

So now that we all escaped Harlan alive, let’s ease our transition out of the holler with these 20 "Justified" GIFs. Godspeed, Raylan.

For posts from The Boneyard, check out our full archive.

April Showers: How Our Favorite Authors Water Their Creativity

Photo by Stephanie Schaefer

Photo by Stephanie Schaefer

By Daniel Ford

We’ve been spoiled the last couple of months at Writer’s Bone with the amount of insightful advice we’ve received from our favorite authors.

I needed an extra jolt of inspiration on this rainy, cold afternoon in the Northeast, so I collected all of the tips, suggestions, and inspiration offered by the authors we’ve interviewed recently.

Feel free to add your own advice in the comments section or tweet us @WritersBone.

Paula Hawkins, Author of The Girl on the Train

Photo credit: Kate Neil

Photo credit: Kate Neil

Perseverance is all, and whenever you’re feeling disheartened, read On Writing by Stephen King. He knows of what he speaks, and he’s really funny, too.

You can also check out our interview with the author on BJ’s Wholesale Club's website.

Anthony Breznican, Author of Brutal Youth

Don’t be afraid of sucking. There will be plenty of time for that fretting later. Get your first draft done, and don’t look back until you type “the end.” Make it as good as you can, of course, and repair and adjust as needed along the way, but don’t despair over it. Once you get a first draft finished, you have something to fix. Until then, you have nothing.

Dimitry Elias Léger, Author of God Loves Haiti

Photo Credit: Jason Liu

Photo Credit: Jason Liu

Write like you’re part of a continuum of novelists. Know the history and highlights of your genre and your settings inside and out. Novelists should be like painters, building and riffing on traditions that go back centuries. Also read a lot of poetry, and poetic prose, since you are what you read. And for god’s sake, have a sense of humor.

Anne Leigh Parrish, author of What is Found, What Is Lost

Keep at it until it starts coming more easily; be open to feedback but know when the feedback is useful and when it’s not; focus on exactly what you want the reader to take away from your story (or novel); learn to switch sides of the table when you’re editing–become the reader, in other words; try not to get too hung up on how the marketplace is treating you–this is more for writers with a book out in the world; and, lastly, always stay true to yourself as a writer, how you define that.

You can read Anne's short story "Smoke" in our original fiction collection

Springs Toledo, Author of The Gods of War

Develop your craft and find your own style. Read books that are not sports-related. Read The New Yorker. If you turn a phrase or offer an insight that seems familiar, consider the risk of plagiarism and Google it before claiming it. Avoid clichés. Don’t cross the line between poignant and maudlin. Don’t expect to make a living doing it. Whether you write for an audience of two million or two, respect them and your name enough to offer your best. Respect every athlete, especially fighters, because what they do is exceedingly dangerous and difficult and chances are excellent that you couldn’t do it.

David Joy, Author of Where All Light Tends to Go

Photo credit: Alan Rhew

Photo credit: Alan Rhew

Persistence. That’s it. That’s the difference between people who make it and people who don’t. I wrote for a very, very long time before I ever got to anything close to something publishable. Some of the earliest writing I had was on notebook paper and I kept it in shoeboxes, and my mother called one day to see what I wanted to do with it. There was probably a thousand pages and I told her to take all of it out into the yard and set it on fire in the burn barrel. A lot of people can’t understand that, but it was the fact that I knew the writing wasn’t any good. It was important. I had to get it out of me. But once it was out, there was no other use for it. I’m probably well into 2,000 pages now and I’m still not anything close to what I would consider good. Whereas that might seem futile to some, it’s that futility that makes it so beautiful. It’s knowing that I’ll do this the rest of my life and never get it just right that makes it worthwhile. You know, Faulkner said if the artist were ever able to get it perfect, “nothing would remain but to cut his throat, jump off the other side of that pinnacle of perfection into suicide,” and I think that’s true. There just wouldn’t be anything else to do with your life.

Tania James, Author of The Tusk That Did the Damage

I have a handful of reader friends whose advice I rely on heavily, even when it’s tough love time. I think it’s important to find those writerly mates who have your back, as you have theirs.

Chuck Grossart, Author of The Gemini Effect

Simple. Write/edit. Write/edit some more. Then, write/edit again. And, keep in mind that you’re writing can always be better. It’s definitely a learning process, and it never ends.

I think a lot of first-time writers believe what they’ve written is really, really good when in reality, it just might be really, really bad. With The Gemini Effect, I learned a ton while I went through the developmental and copy edit process with my editor at Amazon’s 47North, Jason Kirk. I have a post on my blog that describes in detail how Jason and I worked together to take my self-published novel The Mengele Effect—which had just won a nation-wide contest, but still needed some hefty tweaking—and transform it into what it was striving to become; The Gemini Effect.

Two other ways I improved my writing skills were to join a local writers’ group (The Nebraska Writers Workshop), and to try my hand at writing flash fiction.

Joining a writers group was really eye-opening; I was exposed to a number of different genes and skill levels, and found it very rewarding. The most important thing about joining a writers group is to be thick-skinned—be able to accept criticism, and use it to improve your skills. I’ll touch on that again a little later.

Writing flash fiction paid quite a few dividends. While perusing the titles at Smashwords.com, I ran across a short, flash fiction horror story. I read it, enjoyed it, and did a little research. Flash fiction—stories with word counts anywhere between 300 and 1,000 words—seemed like a perfect way for me to put pen (fingers) to paper (keyboard) and give birth to some of the ideas bouncing around inside my misshapen noggin. They wanted out, so I obliged. My initial venture into flash fiction was titled Ripple. I wrote it on a Saturday afternoon, and published it on Smashwords the next day. For me, the magic of crafting short stories began a few hours later, when Ripple received its first review. Two little words. One was "definitely," the other, "disturbing." With that, I knew I'd hit the exact mark I was aiming for. I highly recommend new writers try writing some flash fiction, as it teaches tight structure, tight plots, and helps a writer learn how to cut all the unnecessary chaff to keep it within a certain word count.

Also, like I stated earlier, learn to have a thick skin. Be willing to accept constructive criticism, and shrug-off the vitriolic criticism that every writer eventually receives. Is this an easy thing to do? No. Not. At. All. Like everything else, it’s a learning process. To paraphrase Isaac Asimov, there are two types of writers: Those who bleed copiously and visibly at any bad review, and those who bleed copiously and secretly at any bad review. The first time you receive a bad review, it may feel as if you’ve just shown your newborn baby to a stranger—that baby is the most beautiful, precious thing you’ve ever seen—and the stranger says, “Wow, that is one ugly baby! How dare you bring such a horrid creature into my world!” Then, after the stranger vomits a few times (on your shoes), a crowd gathers, they chase you back to your castle with torches and pitchforks, and everything goes up in flames, especially your confidence as a writer.

One thing to remember is that a review is a message from a reader to other readers—it’s not directed at you. Some authors I know never look at reviews, good or bad. But, if you do, don’t take it personally. Even though someone just called your precious baby ugly, don’t ever let it kill your desire to write, and don’t ever respond. Let me say that again: No matter how badly you want to, don’t respond. Once your story is out in the big bad reviewer world, it has to stand on its own two feet. It’ll get praised, and it’ll get bullied, and you have to stand back and let it happen.

If you do get a nasty one, and it’s bugging you, keep this quote from Teddy Roosevelt nearby (it helps):

“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”

Quan Barry, Author of She Weeps Each Time You’re Born

Read, read, read, and read broadly. I was just talking about this with the poet Derek Mong. Basically we were agreeing that sometimes young writers just read first books in their genres. This can get to be stultifying. Yes, it's good to know what first books look like and how they're constructed, but if that's all you read, your work may end up sounding like everyone else's and one day it may also read as dated.

For posts from The Boneyard, check out our full archive.

8 Valentine’s Day Gifts for the Writer in Your Life

Not recommended for alcoholics writing a play while working as a caretaker for a snowbound hotel.  

Not recommended for alcoholics writing a play while working as a caretaker for a snowbound hotel.  

By Daniel Ford

While Valentine’s Day may be a made-up commercial holiday designed to make lovers happy, angry, frustrated, or aroused, it does give us an occasion to hunt for great gift ideas for the writers in your life.

Again, booze, particularly bourbon, gets the job done better than anything else. You deserve a drink on Valentine’s Day, don’t you think Mr. Torrance?

Spirit in the Night

Speaking of The Shining, here’s a mug for your Stephen King fan (or, more likely, wannabe).

The Only Bomb Worth Having

This F Bomb Paperweight is the ideal gift for someone with a daily deadline. You know you have a problem when someone cuts this out of a magazine and puts it on your desk without comment. Not that anyone has ever done that to me or anything…

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Typewriter Chocolates

$13.50 may seem like a lot for “vintage typewriter chocolates,” but…typewriter chocolates! I’m pretty sure not even known curmudgeon Dave Pezza would dare write a diatribe about things he hates on these sweet machines.  

Humble Pie

My guess is that your literary lover needs to be taken down a peg every now and then. Feel free to post him or her wearing it to a variety of social media networks to hammer home the point.

The George Costanza Novel

Don’t do any of the shenanigans featured in this novel regardless of your gender or sexual orientation (but it makes for a great read!).

Billy Shakes, Action Hero

I don’t really need to explain the awesome badassery of a literary action figure, right? We need our friend Doug Richardson to write a script based on a sword-wielding, bare-chested, and revenge-drunk William Shakespeare. I guess he could write a buddy comedy starring Oscar Wilde and his editor, but that would be too on the nose I think.

Point Taken

This pencil set is great for annotating and inspiration!

Writer’s Blocks

I think Danielle Steele and James Patterson use these blocks to write their novels…

For posts from The Boneyard, check out our full archive.

10 Interviews With Writers We Love

By Daniel Ford

What I love most about writers is that we’re a talkative lot.

I mean, you can’t blame us. We usually work alone, huddled over a computer, notebook, typewriter, or smudgy cocktail napkin. When we’ve finally crafted something that resembles a world people might want to spend some time in, we want to return to the world by talking at length to the first human we encounter (typically a significant other who starts to rethink a lot of life decisions).

Some of the truly great writers are lucky enough to have their thoughts recorded by legitimate news, academic, and entertainment sources. I found 10 interviews with writers we love here at Writer’s Bone in order to provide our readers with an added boost of writing inspiration. Judging by the fact that I discovered way more than 10 in my search means this will likely turn into an ongoing series. Feel free to suggest your favorite writer interviews in the comments section or tweet us @WritersBone.

John Irving

Jhumpa Lahiri

Ernest Hemingway

Toni Morrison

Junot Díaz

Elmore Leonard

For posts from The Boneyard, check out our full archive.

Standing On The Edge Of Tomorrow: The Future of Writer’s Bone

Running a podcast and website is really hard.

I know that Daniel and I make it look easy, but there are a lot of early mornings and late nights spent creating content worthy enough for our followers. We created Writer's Bone as a hobby to pass the time, but it has grown into something so much more. It wasn’t our plan for this to become anything more than a small weekly podcast with a Blogger Web page.  However, in less than a year we have moved from Blogger and created a great looking new website, and have produced 55 podcast episodes. We have taken major steps in creating a great brand that has gained a strong viewership. 

The future is upon us and we are ready to take the next steps in creating an even better product. Our 2015 guest line up is already filled with an array of different artists. We have more original and new content coming from a long list of up and coming writers. Daniel and I are also working on recording our first live podcast.

The future is strong for Writer’s Bone. There is much more for us to complete in this upcoming year and I hope that all of you come with us for the ride. We thank you for all the support you have given to us during our first year and we are excited to bring you more in 2015.

Thank you,

Sean Tuohy

Writer’s Bone Publisher 

8 Thoughts All Writers Have During the Day

"Oh, I should have..."

"Oh, I should have..."

By Sean Tuohy

If you’re a writer, odds are you’ve had a few of these thoughts run through your head at one time or another.

“I Need To Remember That for My Book!”

Every day, you’ll talk to someone who will give you a great line of dialogue that resonates with you and starts turning the gears in your head immediately.

“Where’s My Pad and Pen? Where Is It? Ah, I Forgot It!”

No big deal, I’ll carve it into the flesh of my arm.

“How Did This Happen?”

We’ve all been there. You need to research something quickly and head to the Internet. Unless you’re really focused, this can get out of hand quickly. You start at Point A and end at Point What the Hell Am I Doing. “How did this happen?” leads to other things like, “I need to find out what kind of cars they drive in Peru, and I now know everything about the 1986 World Cup.”

“I Need His Looks for the Bad Guy.”

Ever been in public and spot a person who has the look or personality that you want one of your characters to have?  And then study this person like Jane Goodall watching gorillas? You peer at them from around corners, make notes about how they open doors, and become an all-around creep. Oh, and people notice all of this.

“I Really Like Her Face, But Hate Everything Else About Her. I’m Just Gonna Write About Her Face.”

You know who else thinks these things while looking at other humans? Serial killers.

“I Hate You.”

All writers have to face the blank page. You’ve spent weeks and months planning, outlining, and researching for this moment and now you have nothing. So you hate the blank page the same way Captain Kirk hates Klingons. “I hate you! I hate you! Stop laughing at me!”

“Oh, I Should Have…”

Sadness hits writers really hard. Sadness is then followed by self-doubt, which normally leads to, “I should have gone to law school.”

“This is the Best Thing I’ve Ever Written!”

But you always bounce right back and start working on your story again. 

For posts from The Boneyard, check out our full archive.

Writing Supplies: 10 Cool Gifts for Writers

By Daniel Ford

Writers really aren’t that hard to shop for. Books, pens, coffee, copious amounts of alcohol are all acceptable presents.

But there are only so many bottles of Wild Turkey and copies of The Elements of Style you can buy, right?

Here are a few cool gift ideas for the writer in your life (and I was just kidding, there’s no limit to the amount of alcohol you can give a writer):

Let Go of My…Remington?

For god’s sake, make sure the writer you give this to has had enough caffeine to notice that this waffle iron isn’t a real typewriter. Nothing kills a writing session like third-degree burns.  

Have Writer Will Travel Stylishly

Is it me or is this something that Henry Jones from The Newspapermen would carry around (and Shirley would make fun of)?

From Whom the T-Shirt Tolls (Found by Dave Pezza)

There are plenty of worthy t-shirts on Out of Print, but none more beautiful than this one.

100 Typewriters

What’s better than an actual typewriter (or a waffle iron typewriter)? A poster with 100 typewriters!

Grammar Tea Party (Found by Kerri Liss)

Have writer friends who struggle with “your” and “you’re?” Invite them over for tea and cough every time they take a sip of their drink.

Tea for Two Writers (Found by Stephanie Schaefer)

You’re going to need to put something in those tea cups, right?

The Seven Editors

For the samurai editor in all of us.  

Frenemies Beware

Writers must have a lot of annoying friends because there are some pretty snarky gifts out there for the literary inclined. That’s the great thing about words, you can use them without opening your mouth!

Bathroom Material

Sadly, I would be thrilled if this was the only way my novel could be published. There’s part of me that wants someone to develop a Choose Your Own Adventure roll.

Words Night Out

And my Christmas shopping for Stephanie Schaefer is done!

For posts from The Boneyard, check out our full archive.

Sunday Brunch: Why Libraries Are Important and the Week’s Top Posts

Brunch with Hemingway

Brunch with Hemingway

By Daniel Ford

Starters

Earlier this year, Sean Tuohy told a poignant story about going to the library and Daniel Ford ranted about receiving library books for Christmas.

First Round of Mimosas           

Matthew Abeler, a student at the University of Northwestern of St. Paul with a keen sense for observation, filmed “Pass the Salt” to explore how technology affects our relationships. He recently gave Rachel Tyner a behind-the-scenes look at the viral video.

Matthew Abeler Helps ‘Pass the Salt’ With His Viral YouTube Video

The Newspapermen Eggs Benedict

Will, Shirley, and Henry interact with a number of sources in the latest installment of The Newspapermen. Which one of them can be trusted?

The Newspapermen: Sources

Musical Interlude

Nothing says Christmas like searing guitar solos.

Second Round of Mimosas

Insults and drinks go together like…well…insults and drinks. Sean Tuohy reminisces about his favorite moments from “Tough Crowd with Colin Quinn.”

Here You Are Dummy: 4 Great Moments From ‘Tough Crowd with Colin Quinn’

Digestif

Harlen Wheatley, master distiller for Buffalo Trace, stops by Bob, Bourbon, and Books to talk about the history of the distillery and what makes its bourbon stand out.

Bob, Bourbon, and Books: Tangled Up in Blue

Feel-Good Dessert

Newcomer Kerri Liss’ emotional debut essay will make you appreciate all the sunshine in your life.

Lorraine’s Sunshine

Next Week’s Menu

A podcast interview with Erik Stolhanske from Broken Lizard, holiday book recommendations, and more!

3 Screenwriters Turned Novelists

By Sean Tuohy

Writing is writing no matter the format. Screenplays, novels, poems, and Writer’s Bone essays are all valuable forms of writing.

There are an elite few that are able to bounce between different formats with ease. Screenwriters are a tough breed, so it’s not surprising when they slip into the world of prose.

Below are three screenwriters who switched to novels:

Stephan J. Cannell

Stephan J. Cannell is one of the most well-known television writers of the 20th Century and produced more than two dozen script television shows before becoming a bestselling novelist. His award-winning Detective Shane Scully series was beloved and showcased Cannel's natural storytelling talent and his close eye for detail and research. Cannell's mysteries featured fast moving plots and engrossing characters that sucked you into Cannell’s world completely. He’s truly one of the best storytellers of our time.

Doug Richardson

Our buddy Doug Richardson penned such hits as “Bad Boys” and “Die Hard” before moving to novels. Like Cannell, Richardson is also a natural storyteller with great timing and the ability to develop wonderful characters. His thriller novels True Believers and Blood Money were smash hits. It is very easy to get lost in the worlds that Richardson creates and it’s even hard to pull yourself out of them.

Robert Crais

Robert Crais started as a television writer, penning episodes of “Hill Street Blues” and other groundbreaking shows of that era before creating one of the most endearing private detective series in modern fiction. 

His Elvis Cole series, which is still going strong, was groundbreaking for its first person narrative, flashbacks, and multiple storylines. Crais’ ability to engineer fun, edge-of-your-seat stories makes him a great read in any format.

For posts from The Boneyard, check out our full archive.

Here You Are Dummy: 4 Great Moments From ‘Tough Crowd with Colin Quinn’

By Sean Tuohy

In a dark and unlit New York City club jam-packed with tables and chairs that face a small stage, a group of comics sit around and talk before and after sets.

They talk about their lives, new bits they may try out, or, in most cases, insult one another. It has been going on for years. It is an elite and private club made up of New York comics, the Green Berets of comedians. They are a hardened and tough breed of comedian that can go anywhere and make the crowd laugh or die trying.

These late night discussions were not meant for public consumption, but the stories were too funny not to share. Comic and former “Saturday Night Live” player Colin Quinn brought them into the limelight when he debuted his show, “Tough Crowd with Colin Quinn.”  It lasted three uproarious seasons and covered every topic under the sun in a politically incorrect way. The show's guests included Rich Vos, Louis CK, Jim Norton, Greg Giraldo, and many more. The show was razor sharp and left no rock unturned and no insult unslung.

Here are my favorite moments from “Tough Crowd with Colin Quinn:”

Rich Vos and His Kids

Rich Vos and Patrice O'Neil

Jim Norton and Keith Robinson

Greg Giraldo vs. Dennis Leary

For posts from The Boneyard, check out our full archive.

15 Thanksgiving Day Episodes To Be Thankful For

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By Daniel Ford

Thanksgiving always seemed to bring out the best in the writers of my favorite television shows. All of my top 10 lists for a variety of shows includes at least one Thanksgiving episode.

Here are 15 episodes the Writer’s Bone crew is thankful for. All of us wish you a Happy Thanksgiving that features plenty of wine, food, and novel material!

The One With The Thanksgivings On Thanksgivings

I remember working at ShopRite on the day before Thanksgiving and thinking I’d never love the holiday ever again. Cranky customers, endless lines, and eight hours of standing and bagging were enough to break my typically cheerful demeanor (that cackling you hear is my mother who is surprised to learn I was ever cheerful as a teenager). However, one of the early Thansgiving episodes of “Friends” was playing on the television in the break room. I sat down with my prepackaged turkey sub and laughed at the gang’s football game for the 30 minutes I got to spend outside my own chaotic reality. As Stephanie Schaefer said in her post compiling her favorite “Friends” episode, the show “simply never goes out of style.” That statement is even truer when it comes to their Thanksgiving episodes, which always brought the heart and laughs in equal measure. Of course, we couldn’t choose just one, so…

“I Can’t Pardon A Turkey!”

It’s a well-known fact that I’m a complete homer for “The West Wing.” My younger brother and I would watch multiple seasons during our Thanksgiving breaks when we were in school. One Thanksgiving Day, we resolved to watch the show all night. We hadn’t anticipated how much apple pie we were going to consume, so we didn’t make it much further than an episode and a half. Re-watching the holiday episodes always make me think of him and the amount of time we spent hanging out with the show in the background. The following two scenes never fail to elicit a laugh no matter what kind of day I’m having.

A Side of Slapsgiving

For all the misgivings I have about how the creators of “How I Met Your Motherended the series, I can’t argue with the simple brilliance of “Slapsgiving” and “Slapsgiving 2: Revenge of the Slap.”

The Thanksgiving of Misfit Toys

The way this scene escalates is brilliant. Diane’s plea for peace is rudely interrupted as expected, and the skirmish turns into outright war. The best part is that the loveable losers end up smiling, laughing, and toasting at the end. Like most episodes, the group learns they are in this life together regardless of what tortured hijinks they inflict on each other. Vera catching a pie in the face in the final scene is nothing short of inspired.   

A Walton Thanksgiving Reunion

As much as I loved the original show, I’ve always had a special place in my heart for this reunion episode of “The Waltons.” It may have had something to do with John Boy becoming a television news anchor.   

A No-Nuclear Family Thanksgiving

Remember family comedies that featured a family that actually liked each other? I’m guessing the “Modern Family” crew would have left their hippy parents in jail for several seasons. I recently watched a few episodes of “Family Ties” and was pleasantly surprised that the acting, writing, and gags hold up rather well. Let that be a lesson to today’s comedies that characters can actually be likeable to attract viewers.  

 All in the Thanksgiving

This is why you don’t talk about religion at Thanksgiving. Or politics. Or anything other than, “Pass the stuffing.”

A Garfield Thanksgiving

Not as good as the Garfield Christmas special, but anything involving everyone’s favorite orange cat and food is well worth a watch.


Tofurkey

I forgot how much I enjoyed “Everybody Loves Raymond.” I should phrase that differently. I forgot how much I enjoyed hearing my father’s belly laughs watching this show. Peter Boyle was at his best playing a crotchety old man (also see his performance in “While You Were Sleeping”). If anyone tried to pull this with my family, there would be fatalities (although, we’d probably still choke down the “bird”).  

Cranberry Sauce à la  Bart

You think Sean would let me post this without including a clip from “The Simpsons?” The cranberry sauce sliding out of the can makes me laugh every time.

For posts from The Boneyard, check out our full archive.

Sunday Brunch: How a Sixties Soul-Eyed Kid Developed His Love of Music and the Week’s Top Posts

This post is brought to you by the 1960s.

This post is brought to you by the 1960s.

By Daniel Ford

Starters

From The Zombies and The Rascals to Neil Young and Jethro Tull, my father developed a passion for the music of the late 1960s and early 1970s that the former soul band saxophonist instilled in his three sons.

I recently dropped the needle on our favorite albums and peppered him with questions about the origins of his love of music, the first album he ever bought, and all the bands he saw live at Providence College from 1969 to 1973.

First Round of Mimosas

Author Judy Chicurel talks to Writer’s Bone about her short story collection, If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go, her writing process, and her future literary plans.

Author Judy Chicurel On How Everything Should Start With Your Writing

Jazz Interlude

There’s really not a bad version of this Duke Ellington’s “Black and Tan Fantasy,” however, there might not any better than this one featuring Louis Armstrong. His trumpet swings your face off. I strongly suggest getting a copy of the album, “The Great Summit: Complete Sessions,” in order to enjoy Sundays the way God intended.   

Book Lovers Double-Stuffed Omelet

Our November book recommendations include Amy Poehler’s Yes Please, We Are Not Ourselves by Matthew Thomas, and Jill Lepore’s The Secret History of Wonder Woman. Read the rest of our list and let us know what your favorites from the past month!

5 Books That Should Be On Your Radar: November 2014

And…

Five good crime novel with devilish men and fatal dames that fill the page with greed and murder!

5 Crime Novels That Will Keep You Warm This Winter

Second Round of Mimosas

Sean Tuohy may not know a lot about fashion, but he knows a thing or two about t-shirts! He recently sat down with fashion designer Melanie Andujar to talk about her t-shirt designs for Revision Apparel.

T-Shirt Chic: 9 Questions With Fashion Designer Melanie Andujar

Digestif

Dave Pezza and I went to see Bob Dylan live at the Providence Performing Arts Center last week. We finally recovered enough to write a Bob, Bourbon, and Books about our experience.

Bob, Bourbon, and Books: Simple Twist of Fate

Podcasts for Dessert

Dan Jurgens, comic book artist and writer, talks to Writer’s Bone about how he got his start, creating Doomsday and killing Superman, and his thoughts on today’s superhero movie craze.

Episode 50: Comic Book Artist and Writer Dan Jurgens

In Memoriam

For nearly 50 years director Mike Nichols brought inspired filmmaking to the screen. Here are some of our favorite films:

Remembering Director Mike Nichols

Next Week’s Menu

A conversation with Academy Award-winning screenwriter Tom Schulman. 

Sunday Brunch: Boston Historian Barbara Berenson and the Week’s Top Posts

What brunch may have looked like during the Civil War. 

What brunch may have looked like during the Civil War. 

By Daniel Ford

Starters

Local Boston historian Barbara Berenson talks to Daniel Ford about her book, Boston and the Civil War: Hub of the Second Revolution.

To learn more about Berenson and her work, visit her official website, www.civilwarboston.org.

First Round of Mimosas

Sean Tuohy talks to techno-thriller author Rick Chesler about his novels and why he wanted to be a writer.

Torturing the High Seas: 9 Questions With Techno-Thriller Author Rick Chesler

Country Music Interlude

In place of our typical jazz numbers, we have 10 country hits that are sure to send your creativity right to the honky-tonk!

10 Country Music Songs To Spark Your Creativity Y’All

The Newspapermen Eggs Benedict

Shirley and Henry meet Hal, public scumbag number one, at a midtown night club.

Chapter Eight: Midtown Suds

Second Round of Mimosas

An unedited rant by essayist Dave Pezza brought to you by port, Bruce Springsteen’s “Nebraska,” Bruce Dern, and a typewriter.

Hate Is A Strong Word

Support Our Troops

To celebrate Veteran’s Day, we compiled five military-related books you should add to your collection. I urge you to support organizations such as the Wounded Warrior Project or Ron Capp’s Veteran Writing Project.

5 Books To Read On Veteran’s Day

Podcasts for Dessert

Actress Stephanie Andujar drops by Writer’s Bone to talk about her roles in “Orange Is The New Black” and “A Walk Among The Tombstones” and what you have to do to make it as an actress.

Next Week’s Menu

A podcast interview with comic book artist/writer Dan Jurgens, Sean Tuohy gets a taste of the fashion world from Melanie Andujar, and the latest installment of The Newspapermen!

Sunday Brunch: New Times Writer Derek Heid and the Week’s Top Posts

Photo by Daniel Ford

Photo by Daniel Ford

Writer’s Bone’s Sunday Brunch features fresh commentary or interviews, jazz recommendations, and a roundup of the week’s top posts. We encourage you to enjoy this post on a weekly basis with a mouthful of omelet and home fries, as well as an unhealthy amount of the aforementioned mimosas, Bloody Marys, or bellinis. Also, send us your brunch pictures and we'll feature them in upcoming posts! You can email them to admin@writersbone.com or tweet us at @WritersBone.

Starters

Sean Tuohy talks to Derek Heid, a writer for New Times, about a sunny place for shady people: Florida. 

First Round of Mimosas

Author and podcaster Justin Macumber talks to Writer's Bone about his writing style, the podcast, and what the future holds for him.

Loving the Truth: 8 Questions With Author and Podcaster Justin Macumber

Musical Interlude

Sing it, Etta.

The Newspapermen Eggs Benedict

The Newspapermen feel the mental and physical toll of chasing down a story no one wants them to uncover.

Chapter Seven: Sweet Dreams

A New York City Side of Bacon

Writer’s Bone’s New York City guru Lindsey Wojcik writes about how her experience reading Sari Botton’s Goodbye to All That: Writers on Loving and Leaving New York made her realize she wasn’t moving out of the metropolis any time soon.

How ‘Goodbye to All That’ Convinced Me to Stay in New York

Photo essayist Cristina Cianci shares seven photos she took while getting to know her new Manhattan home better.

Urban Escape: 7 Photos New York City Slickers Will Love

Digestif

Down a shot of Wild Turkey 81, dance manically with all the spirits in the night, and enjoy the latest installment of Bruce, Bourbon, and Books.

Bruce, Bourbon, and Books: Wild Turkey in the Night

Podcasts for Dessert

Stand-up comedian, writer, and producer Sara Schaefer stops by Writer’s Bone to talk about the Mall of America, the art of making someone laugh, the lessons she learned from Louis CK, and the unpredictable nature of stand-up comedy.